Abelcine’s Mitch Gross announced PhantomFlex4K camera, 4K to 1000fps, full cine camera, HD to 2000+fps. New CineMags and Cinestation coming with camera at IBC show. PL, PV, Nikor, Canon EF mounts. Expected to ship 4Q 2013.
So as the big dance gets closer, more info is coming out, more secrets are being held back and the announcements fill my mail box.
Sony announces a change to the XAVC 4K codec today, adding a both 4:2:0 8bit and HD4:2:2 8bit versions to the existing structure, but then buries the content of the press release on their website you can find most of it under a post by PeterC. http://community.sony.com/#
It now brings 4K into the100Mbps range for TV workflows
“4K imaging bandwidth can be reduced to under 100Mbps depending on GOP structure, frame rate, and color sampling.” I am NOT sure I want to look at 4K running at 100Mbps.
FujifilmUSA is going to be showing the first true LUT converter in their booth at NAB, built around Fuji’s CCBox OnSet color correction tools and around the IS-100, The IS-Mini converter allows for direct inline color correction via 1D viewing LUT’s and full support for post production standard 3D LUT formats. This is a really big deal for me, as I have been begging for a tool like this in the OnSet world for nearly 7years and have had to rely on BMD’s HDLink converters ever since Cine-tal stopped manufacturing hardware.
A rumble started this morning online that Angenieux and Cooke are teaming up for a big announcement that is coming next week.
So buckle up, it’s going to be a 4K ride this NAB, so be prepared for a barrage of 4K every where you go.
The Hollywood Reporter posted yesterday about Barco showing their 4K Projector designed specifically for Post Production use, but a small blurb in that article also noted that Sony has announced that it will shoot and produce some of it’s pilot’s for next season in 4K.
An award winning A.S.C. Cinematographer posted that Dobly might be showing a new reference monitor behind closed doors at the show. (no link I am not going to out him)
Convergent Design released info on their new Odyssey Monitor/Recorder. It’s a 1280×800,10bit, OLED panel that doubles as an HD/2k/4K recorder that will be able to do CanonRaw, ARRIRAW and 2K up to 60fps as well as DNX and ProRes. http://bit.ly/ZvZIQJ
Lastly for today, one of my new ventures for 2013 was to spread the tech word farther than I have been and to that I have started a new Tech Blog for my friends at Zacuto.com. I will have posts there every couple of weeks and once it gets going, I am hoping that the questions that come in from readers will allow me to help explain the some of the more popular issues and questions that filmmakers run into. Take a look at the first of will be many posts over the next few months. http://bit.ly/ZpKPvO
Other Show news
Mole Richardson is showing LED Fresnels at the show http://t.co/Jl6JtAllgJ
Be Prepared for the HEVC revolution. http://bit.ly/10PssW5
And FujiFilmUK posted this message after announcing that they were clearing out 2Million feet of stock http://www.filmstockclearance.com
For many years Fujifilm UK has been very proud and privileged to have supported the most talented filmmakers that Britain has produced. From the camera to the screen, from film school shorts to Oscar winning features, it has been an honour working with you all and may we wish you all the very best for the future. Long live film!
Fujifilm Motion Picture
More to come.