Gary Adcock specializes in creating and streamlining workflows for Episodic and Feature Film Production and Post-Production. His extensive work in Camera technologies, Image Acquisition and OnSet workflows is regarded by many as one of the most knowledgeable resources in the industry.

With emphasis on understanding camera and production technologies and how they relate to post production and delivery. Gary assisted in writing the Data Handling Procedures and Best Practices documentation for IATSE Local 600 (Cinematographers Guild) as part of an ongoing education initiative project.

Gary also regularly contributes to Macworld Magazine, as well as a regular contributor on Zacuto.com, he is a moderator and blogger at CreativeCow.net and for an up and coming tech site launching later this year.

The Client list includes: Industry leaders like Adobe, Aja Video, Apple, Arri, Autodesk, Sony, Panasonic and JVC. They include Media outlets like CNN, MSNBC, Discovery Networks, MTV, WGBH (Antiques Roadshow), FOX, National Geographic Inc. and the
Nat Geo Networks worldwide.

Commercial clients include such prestigious brands as McDonalds, Taco Bell, HBO, MLB, NASA, Citibank, NBA Entertainment and NFL Films.
Recent Production Work has included films for Intel, Corning Optical Cables as well as  Sirens(USA)  Seasons 1 & 2, Transformers Dark Side of the Moon 2011 (3nd unit), Just Like a Women (2012) (data and dailies colorist), NBC’s Playboy Club (camera tech), ABC’s Detroit 187 (remote recording technologies).

Gary can be followed on Twitter @garyadcock